This review is my take on Grey’s Anatomy Season 23, Episode 4, “Love on the Brain.”
After the emotional high of last week’s episode, which I genuinely thought was one of the best Grey’s Anatomy episodes we’d had in a long time (and if you read my review, you know I couldn’t stop singing its praises!), I was excited. Really excited.
Last week’s episode laid the groundwork for two incredibly promising storylines. Jo’s painful realization that she still loves medicine, even as it keeps bringing her face-to-face with her trauma. And Link’s own struggles finally coming into focus after spending too much time in the background. For once, it felt like we were seeing the cracks beneath his usual composure.
Given where we left them, and knowing from the promo that Jo was about to attend a birth trauma support group, I was really hoping this episode would build on that momentum.
But then… it all seemed to fizzle out. At least where Link was concerned.
Don’t get me wrong. I actually enjoyed this episode as a whole. There were compelling medical cases, important character moments, and several storylines I genuinely appreciated.
But I also have thoughts. Quite a few, actually.
And most of them have to do with how Link’s character has been handled so far this season.
But enough of the preamble. Let’s dive in.
Link: Can We Please Give This Man the Storyline He Deserves?

Okay, I need to get something off my chest. Because as much as I love Link, I’m getting increasingly frustrated with the way the writers have been treating his character.
And this isn’t just about this episode.
Let’s face it. Apart from last week, when his struggles finally took center stage, Link has spent most of this season in the background, primarily serving as Jo’s support system.
And don’t get me wrong. I LOVE seeing him be there for Jo. I love the husband, the father, the man who shows up for his family, especially after everything they’ve been through.
But Link is so much more than that. Or at least, he should be.
He’s a brilliant orthopedic surgeon, a father of four, a friend, a man with his own history, struggles, and vulnerabilities. Yet lately, it feels like he only exists when someone else’s storyline needs him.
Even in the OR, I sometimes wonder what happened to the surgeon we know. Where are the compelling medical cases, the difficult decisions, the opportunity to actually follow his patients’ journeys? Instead, he’s too often pushed to the sidelines while someone else takes over and saves the day.

Can we talk about that moment when his patient went into cardiac arrest? Jules was the one taking the lead, calling Ndugu and stepping in to intubate, while Link barely seemed to react. I’m not suggesting he needs to handle every aspect of an emergency himself. But why stage that moment in a way that makes him look so passive? And unfortunately, it’s not the first time I’ve noticed this.
That’s what frustrates me. Other characters get storylines of their own, even if they’re purely medical. They get to demonstrate their skills, face challenges, make mistakes, and evolve.
And Link? Too often, he feels like an afterthought. A supporting character in everyone else’s story. Sometimes, it almost feels like he’s given something to do in the OR just so he can appear in the episode.
He deserves better than that, Grey’s. And so does Chris Carmack, because there’s so much more he could bring to this character if given the material.
Which brings me to this week’s episode.
So… are we just going to pretend everything is fine with Link?
Last week, we watched him struggle through a difficult surgery, lash out at his colleagues, and secretly try to secure another prescription for his pain medication. It was worrying, uncomfortable, and finally gave us a glimpse of what might be happening beneath the surface. Link could be developing a dependence on those painkillers.
But this week? Nothing. Link seemed perfectly fine.
Now, I understand that storylines don’t have to progress dramatically every single week. I certainly don’t expect him to have a breakdown every time he appears on screen.
But I do expect some continuity.
A moment of hesitation. A glimpse of discomfort. A guilty look at that bottle of pills before taking another one. Anything to remind us that what happened last week hasn’t simply vanished.
Because there’s so much to explore here.
Link is a smart man. He’s a surgeon. He knows what pain medication can do, and I find it hard to believe he hasn’t noticed something is wrong. Does he recognize how much he’s come to rely on those pills? Is he rationalizing his behavior because he needs to keep functioning? Does he feel guilty? Is he afraid of what might happen if he stops?
Those are the layers I want to see.
We shouldn’t have to wait until Link reaches a breaking point to see his inner life.
Now, I do have a theory about what the writers are trying to accomplish.
I suspect they’re deliberately allowing his struggle to simmer in the background, showing him continuing to function, possibly with the help of medication, until everything eventually catches up with him.
My feeling is that they don’t want to explore Jo’s postpartum trauma and Link’s potential dependence on pain medication at full intensity simultaneously. Instead, they’re giving Jo’s recovery the space it deserves, while Link continues doing what he’s always done: holding everything together, putting his family’s needs before his own, and perhaps not fully acknowledging how much he’s struggling himself.
Narratively, I can understand that choice. Perhaps they’re planning to shift the focus toward Link later in the season.
But here’s my problem with that approach: just because his breaking point comes later doesn’t mean his emotional journey should be invisible until then. Both storylines can coexist without competing for attention.
And there’s another aspect of this dynamic that’s beginning to frustrate me.
As much as I love Jo and Link together, lately, I feel like the writers have been showing us only one side of their relationship: Link taking care of Jo. And while that makes perfect sense given everything she’s been through, I’m starting to miss the other side of their dynamic.
Link is constantly checking on Jo, making sure she’s okay, supporting her, reassuring her, putting her needs first. And I love every second of it.
But where is that same attentiveness from Jo?
I know she’s been through an incredibly traumatic experience. I know she’s still trying to make sense of what happened to her, and that so much of her emotional energy is going into simply getting through the day.
And I’m not expecting her to magically recognize something Link is actively trying to hide. In fact, I think that’s part of what makes this storyline potentially so compelling. He’s become so good at putting on a brave face that even the person who knows him best might not realize how much he’s struggling.
But I would love to see a little more reciprocity.
Just a simple “How was your day?” or “How are you doing?” A moment where Jo reaches out to him, even if he brushes it off and reassures her that everything is fine.
Because that would tell us so much about both of them. Jo is trying to be there for him, while Link is doing everything he can to convince her there’s nothing to worry about.
And honestly, that’s something I intend to explore in my missing scenes. I want to show Jo being a little more attentive to Link, reaching out to him, while he repeatedly reassures her and tries to hide what he’s going through.
Because here’s something I never thought I’d say: I’m actually getting a little frustrated with Jo. My favorite character!
Or rather, with the way the writers are portraying her in this relationship lately.
I know how deeply caring Jo can be. How fiercely she loves the people closest to her. And I don’t want her trauma to become the only thing defining her interactions with Link.
I want to see that side of her again. Not instead of her recovery, but alongside it.
And perhaps that’s precisely where we’re heading.
Because this week, Jo finally seemed to take a meaningful step forward. She opened up about her trauma, connected with someone who understood, and could finally tell Link she’d had a good day.
And his response — “You have no idea how good it is to hear that” — said so much about how deeply her happiness matters to him.

What if Jo’s gradual recovery is precisely what will allow the writers to shift the focus toward Link?
What if, just as she begins to find her footing again, he reaches a point where he can no longer hold everything together?
I have a feeling that Episode 6, Till I Collapse, might be where things come to a head. Pure speculation, of course.
And if that’s where we’re heading, I genuinely can’t wait to see the roles reverse.
Not because I want Link to suffer. But because I want to see him vulnerable. I want him to struggle, to admit he’s not okay, and to allow himself to be the one who needs help for a change.
And more than anything, I want Jo to recognize that the man who’s been holding her up might need someone to hold him up, too.
We caught a glimpse of Link’s vulnerability at the beginning of Season 22, following the explosion, but the writers barely explored it. I still feel that was a missed opportunity, and I really hope they don’t make the same mistake this time.
Because what makes Jo and Link’s relationship so special to me is the bond they’ve built over twenty years, the way they’ve always been there for each other, and the idea that they can take turns being the stronger one. I want to see that partnership reflected on screen.
And you know how much I love JoLink. But loving them as a couple doesn’t mean I don’t want to see them thrive as individual characters, too. They both deserve their own stories, their own challenges, and their own moments to shine.
So if the writers are building toward something bigger for Link, I’m all for it. I just hope they finally give his character the depth and attention he deserves, both inside and outside his relationship with Jo.
I just wish they’d remember that the journey matters as much as the eventual breaking point.
Jo: One Good Day at a Time
I was happy to see Jo’s postpartum storyline continue, although I have to admit I was hoping for a little more screen time.
That said, her encounter with Corrie was a meaningful addition to her journey.



What I particularly appreciated was the way the episode explored two very different experiences of birth trauma.
Jo survived a catastrophic medical emergency. She almost died, her babies’ lives were at risk, and her entire postpartum experience was shaped by weeks of hospitalization, separation, and uncertainty.
Corrie’s experience was different. Her emergency C-section left her with traumatic memories that continued to haunt her three years later, resurfacing as she prepared to give birth again.
And I think that’s such an important distinction to portray.
You don’t have to nearly die for childbirth to be traumatic. You don’t have to experience an extraordinary medical emergency for your fear, grief, or sense of helplessness to be valid.
Trauma isn’t a competition.
And just because a delivery ends with a healthy mother and baby doesn’t mean the experience itself wasn’t deeply distressing.
I also think that because C-sections have become such a common part of childbirth, we sometimes underestimate just how traumatic an emergency one can be.
There’s still this expectation that once the baby is here and everyone is physically okay, mothers should simply be grateful, move forward, and leave whatever happened during childbirth behind them.
But it doesn’t always work that way.
And that’s something Jo puts beautifully into words when she tells Corrie:
“Even though you both survived, it doesn’t mean that you don’t need to grieve.”
That line really stayed with me.

Because survival and gratitude don’t cancel out grief. You can be profoundly thankful that you and your children are alive while still mourning the experience you thought you were going to have.
That’s actually something I explored in my article Why Jo’s Postpartum Journey Was an Important Story to Tell.
And I appreciate Grey’s for continuing to shine a light on these realities.
Two women can go through very different experiences and still recognize something of themselves in each other. Their stories don’t have to be identical for that connection to exist.
I also loved the way both of them described the unexpected things that can bring those traumatic memories rushing back.
For Corrie, it’s a song. For Jo, it’s the jingling of an orderly’s necklace. The beeping of the hospital monitor. And there’s something particularly heartbreaking about that last detail.
Jo has spent years surrounded by those sounds. They’re part of her everyday life as a surgeon, something she associates with medicine and saving lives.
But now, that familiar beeping has taken on an entirely different meaning. A sound that once belonged to her professional world has become a reminder of one of the most terrifying experiences of her life.


And suddenly, it’s not just the memory of what happened that’s haunting her. It’s something she encounters every time she steps into the very environment she loves.
Camilla Luddington was wonderful in that scene. The vulnerability, the emotion, the way Jo finally begins putting words to something she’s still struggling to process. Beautifully performed.
And I have to share something that made this scene particularly special to me.
The monitors. The beeping. The sensory triggers.
Those are exactly the kinds of details I’ve been exploring in my upcoming missing scenes following Season 22 Episode 8!
It’s been a long and complicated batch to write, following Jo’s physical and emotional recovery throughout her hospitalization, and exploring how the trauma begins to manifest itself, sometimes in ways she doesn’t even recognize yet.
So seeing the show explore some of those same emotional responses was incredibly moving for me. I honestly can’t wait for you to read those scenes!
Now, I have to be totally honest. There’s one aspect of Jo and Corrie’s conversation that didn’t entirely work for me.
And it’s something I’ve noticed quite often in television writing.
One character shares something deeply personal, and the other immediately responds by sharing their own experience, without really acknowledging what was just said.
I understand the intention. It’s a way of establishing common ground, showing how two people can connect through shared experiences.
But sometimes, it feels more like an exchange of personal revelations than an actual conversation.
And that’s where I struggled a little with this scene. Or perhaps more specifically, with Corrie’s response.
Jo made an effort to acknowledge Corrie’s experience, but when she revealed that she had almost died, Corrie’s reaction felt surprisingly limited.
I mean… that’s not exactly something you just brush past!
If someone told me something that significant, my first instinct would be to acknowledge it, ask questions, or at least give them a moment to feel heard before bringing the conversation back to myself.
Of course, Corrie is dealing with her own unresolved trauma, and perhaps she simply doesn’t know how to respond. That’s entirely possible.
But I wish the writers had allowed that moment a little more room to breathe. A little more genuine curiosity and empathy would have made their connection feel even more authentic.
Because connecting through shared experiences isn’t just about recognizing yourself in someone else’s story. It’s also about making space for theirs.
That being said, I really liked the unexpected turn Jo’s journey took.
She went to a birth trauma support group, but ultimately found herself opening up outside of it, in a spontaneous, one-on-one conversation.
And perhaps that was exactly what she needed at that moment. Not the pressure of speaking in front of a room full of strangers, but a more personal exchange, where she could open up at her own pace.

It actually reminded me a little of her conversation with Gina back in Season 22, Episode 8. There’s something interesting about how these unexpected encounters with other mothers have given Jo opportunities to confront parts of her experience she hasn’t fully processed yet.
And by the end of the episode, Jo could finally tell Link she’d had a good day.
An actual good day. One she hadn’t experienced in a long time.
And I loved that. Because it felt like a small but meaningful step forward.
The relief on Link’s face, and how much it meant to him to hear those words, was lovely.
And that little hand-holding moment? Yes. I needed that.


But I really hope the writers don’t treat this encounter as some kind of miraculous turning point that suddenly resolves Jo’s trauma.
Because healing doesn’t work that way.
A meaningful conversation can help someone feel understood, less alone, or more ready to confront what happened to them.
But it doesn’t erase the fear, the memories, or the emotional consequences of everything they’ve experienced.
And I think that’s what makes Jo’s journey so interesting. She’s beginning to understand what happened to her, but understanding trauma and learning to live with its aftermath are two very different things.
I want to see that process continue. The good days, the difficult ones, the unexpected triggers, and the gradual rebuilding of her sense of self.
Because there’s still so much to explore.
Now, with only 13 episodes this season, I realize the writers may not have the luxury of letting this storyline unfold as slowly as I’d like. But I’m already grateful for the attention and emotional depth they’ve given it.
And judging by the promo for next week’s episode, Jo may be about to face another major turning point.
It looks like her evening out with Link will be interrupted when Corrie needs their help, turning what was supposed to be a date night into a serious OB emergency.
And I can’t help wondering whether this might be the moment that helps Jo reconnect with the doctor she still wants to be.
Last week, she realized she still loves medicine, even if returning to the hospital means confronting her trauma.
This week, she began finding the words to talk about that trauma.
And perhaps next week, she’ll find herself in a situation where her instincts as a doctor take over before her fear has time to get in the way.
Not because she’s suddenly healed, or because one emergency can erase everything she’s been through. But because it might remind her that the part of herself she’s been struggling to reconnect with is still there.
I don’t expect her to rush straight back into the OR afterward. Nor would I want the writers to suggest that one successful intervention is enough to overcome her trauma.
But I would love to see this become another meaningful step toward reclaiming her confidence, on her own terms.
We’ll see where the writers take us.
And on a completely unrelated note… can we talk about how absolutely stunning Jo looked this week?!
Seriously. Camilla was GORGEOUS.

Elsewhere at Grey Sloan
I won’t dive too deeply into every storyline this week, but a few things stood out.
Amelia and Toni
I appreciated that the writers didn’t turn their disagreement over Toni’s surprise getaway into yet another relationship crisis. Their relationship has developed surprisingly fast (perhaps a little too fast for my taste, but that’s a discussion for another day!), and moments like this remind us that they’re still getting to know each other and figuring out how to navigate their differences. Toni apparently already knew Amelia was sober, but hadn’t fully understood how that might shape her need for stability and predictability. It was refreshing to see them actually communicate and work through their disagreement without unnecessary drama. Sometimes, a healthy conversation is all you need!
Ben and Wes Bryant
As a parent, I could absolutely relate to Ben suddenly having to drop everything because something unexpected came up with his daughter. That’s life with kids! And I loved seeing Wes step up, handle the situation, and protect Ben without taking credit.
However, I wasn’t entirely on Ben’s side afterward.
I understand his point about colleagues having each other’s backs without expecting favors in return. And I agree with him on that. But I also think Ben could have been honest with Toni about why he’d had to leave and acknowledged that Wes had stepped up in his absence. Instead, Wes ended up looking like the overly ambitious resident trying to get ahead, rather than someone who had genuinely helped a colleague when he needed it.
Yes, Wes is ambitious. But he also made the right call, took responsibility, and deserved some recognition for it.
Both things can be true.
Bailey, Kwan, and Webber


I really enjoyed this storyline.
First of all, Bailey having her research idea described as “mid” by her teaching assistant?! I have to say, the TA felt a little caricatured, clearly there for comedic effect, but Bailey’s reaction was priceless.
Beyond the humor, I loved seeing Bailey refuse to give up on Lillian, whose condition had remained undiagnosed for months, and Kwan being the one to make the crucial connection through her family history.
What I found particularly affecting was the revelation that Lillian’s children had exhausted their savings to get their mother access to better care.
That’s a reality worth exploring. The desperation of a family willing to sacrifice everything in the hope of finally getting answers.
And it raises an uncomfortable question: why should access to better care depend on how much someone can afford to pay?
Which brings me to Bailey’s new research idea. I love that she wants to investigate why it took access to the VIP floor for Lillian to finally receive a diagnosis, and whether those same standards of care could be applied to every patient.
It’s an interesting direction, especially with Webber becoming increasingly frustrated by Norton’s influence and what the VIP floor represents for the hospital.
I’m curious to see how Bailey’s research might challenge that system, particularly if it means working more closely with Norton.
I’m glad Kwan finally regained Webber’s confidence, even if I can’t say I’m surprised.
And his father showing up at the end? Now that’s another storyline I’m curious about!
Jules and Winston
I enjoyed their medical case, even if it ended tragically. And I have to say, when Tracie’s sister broke down after learning she’d died, it really got to me. There was something so raw and heartbreaking about that moment. Maybe because I instinctively put myself in her shoes and couldn’t help imagining how I would feel if something like that happened to my own sister.
Interestingly, I found myself more emotionally invested in that loss than in Jules and Winston’s eventual reunion.
Their feelings for each other are clearly still there, but I have to admit the reconciliation felt a little predictable. We’ve seen this push-and-pull dynamic before, and the professional complications that contributed to their separation haven’t exactly disappeared. So I’m curious to see where the writers take them from here, and whether anything will actually be different this time.
Simone and Lucas
So… friends again? And potentially roommates? After everything these two have been through, what could possibly go wrong? More seriously, are the writers stirring the pot again, or are they finally putting the love triangle to rest and letting these two explore a genuine friendship?
Final Thoughts
Overall, I enjoyed the episode.
And I’m happy for Jo. After everything she’s been through, hearing her say she’d actually had a good day felt like a small victory worth celebrating.
But I keep coming back to that final moment with Link. The relief on his face when he heard those words was beautiful. And yet, knowing what we saw last week, I couldn’t help wondering how he was really doing.
And maybe that’s what sums up my frustration with this episode.
Because as much as I appreciate the story the writers are telling with Jo, I’m growing tired of seeing Link’s own struggles pushed into the background. And it’s not just about his relationship with Jo. Even in the OR, where he should have opportunities to shine as a surgeon, he increasingly feels like a supporting player in someone else’s medical storyline. Almost like a prop, rather than a character with his own journey.
And as much as I love JoLink, I’m also starting to miss the reciprocity in their relationship. The little moments of mutual care and attention that have always made me love these two together.
And here’s the thing: Jo is my favorite character. So it’s a strange feeling to find myself frustrated with how she’s being portrayed, too. I know how deeply she cares about Link, and I know she’s going through something incredibly difficult (and I’ve loved every step of her journey!). I certainly don’t expect her to see through everything Link is trying so hard to hide. But I do want to see her reach out to him, even if he’s not ready to let her in.
I’m invested in where these storylines are going. I can see the potential for something really powerful, both for Jo and Link individually and for their relationship.
And I don’t need all the answers right away. I’m perfectly willing to let a story unfold, to be surprised, even to be kept waiting. But there’s a difference between building anticipation and leaving a character in the background until the plot needs him again.
I want to believe the writers are building toward something meaningful. I just hope that when his moment finally comes, we’ll have seen enough of his struggle for it to feel truly earned. And that Jo will have the opportunity to be there for him, just as he’s been there for her.
So I’m leaving this episode happy for Jo, hopeful about what’s ahead, but increasingly frustrated about Link.
Because Jo finally got to tell us she’d had a good day.
And I’m still waiting to find out what kind of day Link is having.

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