This page gathers all the missing scenes from Season 23, scenes that take place between canon episodes, sometimes within them, and are meant to deepen what remains unseen on screen. These missing scenes are designed to accompany the canon narrative and to gradually expand the story as it unfolds.

New scenes will be added progressively, following the same chronology as the aired episodes.

The Missing Scenes are part of a continuous reading experience that fills the emotional and narrative spaces left between what we saw on screen.

They are numbered according to the canon episode they follow.
For example, Missing Scene 23.1.1 takes place after Episode 23Ă—01.

Below, you’ll find a chronological timeline listing all the missing scenes in order, allowing you to locate any scene within the season’s progression.

The timeline navigation anchors point to canon episodes.
Clicking on an episode title will take you directly to its recap section, which is immediately followed by the Missing Scenes that unfold after it.

From there, you can jump directly to a specific point in the season or simply scroll down and experience the story as it unfolds.

This structure allows you to experience Season 23 as an extended story, without rewriting or altering canon — only expanding what happens in between.

Episodes not mentioned here either do not include Jo or Link scenes, or do not add new layers to their story, and are therefore not part of this collection.

  • Each canon episode is introduced with a gallery of screenshots highlighting key moments, helping re-establish the emotional context before the Missing Scenes expand what happens next.
  • A Jolink Stories Spotify playlist (the one that accompanied the writing of these scenes) is also available to set the emotional tone, if you wish to listen while reading. Open the full playlist on Spotify

The timeline is a guide. The continuous story begins below. ↓

Episode 23×01 — “Collide” (Canon)

Jo and Link start their morning at home, where Jo comes across a box of painful reminders of her traumatic childbirth. At Grey Sloan, a plane collision sends the hospital into emergency mode. While helping in the ER, Jo witnesses an emergency thoracotomy that triggers her birth trauma, leaving her visibly shaken. Meanwhile, Link performs a successful spinal fusion on a pilot who ultimately dies. Later, Jo brushes off Link’s concern when he notices something is wrong. That night, Link secretly takes pain medication from Jo’s box before telling her about his patient’s death. Jo then reveals that she’s quit her job.

Bonus Scenes — Within Episode 23×01

Episode 23×02 — “Slippin’ and Slidin’” (Canon)

A week after quitting her job, Jo throws herself into being a stay-at-home mom, volunteering to sew school costumes and preparing meals ahead of time. When Amelia and Toni stop by, a series of domestic mishaps leaves Jo overwhelmed and in tears. She admits she’s desperately trying to make up for the time lost with her children after the twins’ birth. Amelia and Toni reassure her that motherhood isn’t about being perfect. Meanwhile, Link treats a college student seriously injured during a hazing incident.

Missing Scenes Batch 23.2

Bonus Scenes — Within Episode 23×02

Read the continuous story ↓

Episode 23×01 — “Collide” (Canon)

Jo and Link begin the morning in their new home. Link admires Jo dressed up for the hospital’s VIP floor inauguration and playfully propositions her, but she’s distracted by the search for Luna’s missing stuffed puppy, Bubble.

While unpacking, Jo discovers her “I almost died” box, filled with reminders of her traumatic childbirth. She tells Link that her therapist suggested getting rid of anything that brings back those memories, and he offers to dispose of the box for her.

At Grey Sloan, they attend the inauguration of the new Olympic Floor, where Link jokes that the Seahawks will love the VIP facilities, while Jo points out the espresso machine. The ceremony is interrupted by news of a collision between two planes at the airport, sending the hospital into emergency mode.

Jo is sent from OB to help in the overwhelmed ER. While retrieving supplies from the OR, she finds herself in an elevator with Bailey, Winston, and Jules, who are transporting Larry Turner, the air traffic controller involved in the collision. When Larry suddenly crashes, the team performs an emergency thoracotomy. The sight of his open chest and severe bleeding triggers Jo’s birth trauma. Overwhelmed and on the verge of fainting, she leaves the elevator as soon as the doors open.

Meanwhile, Link continues to experience shoulder pain and stiffness following the explosion. He joins Amelia in treating Bree Wong, one of the pilots, who has suffered a catastrophic cervical spine injury, and performs a flawless spinal fusion.

Later, Link invites Jo to dinner at Nicoletti’s to celebrate the successful surgery. She agrees, on the condition that she gets her own garlic bread. But Jo is visibly shaken by what happened in the elevator, and Link notices something is wrong. When he asks if she’s okay, she brushes off his concern, insisting she’s just hungry.

That night, back home, Link secretly takes a bottle of pain medication from Jo’s birth-trauma box and quickly hides it when she enters the room. He tells her that his spinal fusion patient ultimately died. Jo then drops a bombshell of her own: she’s quit her job.

  • 23.1.B1 – From Morning Chaos to Stolen Moments Before the Inauguration

Episode 23×02 — “Slippin’ and Slidin’” (Canon)

At Jo and Link’s new house, Jo is struggling with a sewing machine after volunteering to make costumes for the school. Frustrated that she can’t get the machine to work, she jokes that she once delivered a breech baby through an opening the size of a grapefruit, yet somehow can’t figure out how to thread the stupid thing.

Link gently suggests that maybe it’s time to call in a professional, but Jo reminds him that she’s a stay-at-home mom now. She’s supposed to be the professional.

Link points out that she’s been going nonstop since quitting her job a week earlier. When Jo gives him a look, he quickly reassures her that she’s got this and can do anything. He leans in to kiss her before leaving for work, though he gives her one last concerned look on his way out.

Early that afternoon, Amelia and Toni arrive to pick up Scout for a trip to see the ferry boats. It’s the first time Scout is meeting Toni. Jo greets them at the door, dressed comfortably in sweatpants, a sweater and thick socks, and tells them Scout is outside making bubbles with Nardie and the other kids.

Noticing the sewing machine, Amelia asks if Jo has taken up sewing. Jo explains that she’s trying, but can’t get the bottom thread to catch. Toni offers to take a look, mentioning that her mother was a home economics teacher. She quickly fixes the problem, leaving Jo even more frustrated that something she’d spent over an hour troubleshooting had such a simple solution.

Jo then asks if Toni happens to know how to sew a zipper. Toni glances at Amelia, since they’re supposed to be leaving with Scout, but Amelia agrees they can stay a few more minutes. Toni gets to work helping Jo.

Meanwhile, at Grey Sloan, Bailey and Kwan bring in Tripp, a college student injured during a fraternity hazing incident. Wrapped in plastic wrap and covered in baby oil, he had been sent sliding down a flight of stairs.

An X-ray reveals an acetabular fracture and a dislocated femur. Link orders a CT scan, which shows that the femoral head has displaced into Tripp’s rectum. Tripp is taken into surgery to reduce the dislocation, repair the rectal injury and stabilize his pelvis with plates.

Back at the house, Jo is still sewing, while Amelia and Toni have joined in, cutting fabric and helping her assemble the costumes.

An alarm goes off, reminding Jo about the macaroni and cheese she has in the oven. Amelia is surprised she’s making dinner too, but Jo explains that it’s for the following night. Now that she’s no longer working as a resident, she finally has time to take care of the kids and the house. It is a full-time job, after all.

Amelia agrees, pointing out that nothing is harder than being a stay-at-home parent, and that’s coming from a neurosurgeon.

Jo insists she’s starting to get the hang of it. She’s found a rhythm with the laundry, the closets are organized, and the family calendar is up to date. She finally finishes one of the costumes and holds it up to inspect her work. Her expression falls. It’s a disaster. Amelia and Toni try to reassure her that it’s a very cute skunk. Jo stares at them in disbelief. It’s supposed to be a raccoon, pointing to the tail.

Just then, Amelia notices a burning smell. Jo suddenly remembers the macaroni and cheese, which she never took out of the oven. Toni rushes to deal with it, while Amelia tries to reassure Jo that they can fix everything. But Jo is overwhelmed. She calls the whole thing a stupid idea, thanks them both for helping, and tells them they can go. She retreats to her bedroom.

Amelia and Toni attempt to salvage the macaroni and cheese by scraping off the burnt top, but there’s no saving it. Jo eventually returns, her face showing that she’s been crying. She sits at the kitchen counter and apologizes for ruining their entire day. Amelia brushes it off, joking that the ferry boat trip was probably a terrible idea anyway. Scout would have enjoyed it for five minutes before getting bored, and the whole outing would have been an epic failure.

But Jo starts crying again.

Amelia comes closer, reassuring her that it’s okay. She can just order some macaroni and cheese for delivery, and dinner will be taken care of in twenty minutes. Jo explains that it isn’t really about the macaroni and cheese. She’s been trying so hard to make up for all the time they lost after the twins were born, but the truth is, she doesn’t know what she’s doing.

Amelia reminds her that she can’t get everything right all the time. Toni chimes in with a confession of her own: her washing machine is broken, and her son has been without clean underwear for over a week. But Jo argues that they get a pass because they’re working moms.

Amelia challenges that idea. A pass for what? Perfection? Some impossible ideal of motherhood? She tells Jo that the image of the perfect mother isn’t real. It’s a social construct designed to sell cleaning products and make mothers feel bad about themselves. All they can do is their best. Sometimes they’re doing great, and sometimes they’re drowning, but their best is always good enough. Toni jokingly admits that she could probably do a little better, making everyone laugh. Jo finally laughs through her tears.

That evening, Link is back home, dressed comfortably and tidying up the living room, gathering the children’s toys from the couch into a basket. Jo picks up the costume she left on the dining table and hides it behind her back before asking Link if he’s ready. She reveals her creation, and Link immediately puts on an exaggerated display of enthusiasm, declaring it incredible. Jo challenges him to guess what it is. Link hesitates, clearly terrified of giving the wrong answer, before cautiously suggesting it’s a dog. Jo laughs at how nervous he looks, teasing him about how hard he’s sweating. She tells him it’s a raccoon. Link insists he almost guessed raccoon. It was definitely on his list, right after squirrel and rat.Jo playfully calls him a liar.

She eventually admits that he was right: she should never have volunteered to make the costumes in the first place. Link laughs and tells her he’s sorry it didn’t work out. But Jo has found a solution. She’s hired an amazing seamstress who’s going to help her finish them.

They settle together on the couch, Jo curling up beside him as Link wraps an arm around her legs. She gently runs her fingers through his hair. Link is happy to hear that she’s getting help, especially since it means she won’t have to spend the entire night sewing. Instead, she gets to hang out with him. Jo gives him a contented little “Mm-hmm,” looking into his eyes with a warm, affectionate smile.

After a moment, Link can’t resist one final question. Is she absolutely sure it isn’t a possum? Jo protests that she’s already told him what it is and he needs to stop guessing. Link presses his lips together, holding back his laughter, and gives her a playfully chastened look.

They remain curled up together on the couch, enjoying a quiet, cozy evening at home.

  • 23.2.B1 – Just Another Evening at the Lincolns’

    6:30 PM: COMING HOME

    6:45 PM: A LITTLE TIME WITH LUNA

    7:05 PM: SETTLING THE TWINS

    7:30 PM: DINNER FOR TWO

    8:25 PM — CANON SCENE (IN EPISODE) — JO AND LINK ON THE COUCH

    8:30 PM — JUST WHEN THINGS GET INTERESTING

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